Somebody told me today, "Ah, but you only have a month left," as a way of saying, regretfully, that this was not enough time to accomplish a certain task. This stopped me in my tracks. Someone, somewhere, thinks that the time I have left is short? Not long enough? Besides, I don't have a month left, I have 47 days left.
I have been spending more time with Vincent. His is tired and easily irritated but seems to enjoy my company so we get on all right. He has referred me to a number of articles on Cape Town music and the creolization of culture that have spurred me on (see previous post). Sometimes Athalie (a lovely singer-friend) and I go over to his house in the morning and play some music and take him to church and maybe go out to lunch. Vincent is full of stories. He says we are all Atlanticos, which is a word he invented to mean a kind of seafaring creole that travels the ocean without a home, picking up some things at one port, carrying them to the next, leaving some parts of himself behind. We played a concert at the hospice where Vincent is a patient and each went home with flowers and olive plants in return.
Mac has found us a recording studio. I don't know how, but it is in Muizenberg in a neighborhood very close to the beach with little, tiny, winding streets that remind me of St. Louis in Senegal. There are a lot of immigrants in this neighborhood, so the whole place has a kind of charged feel about it. Mac has been encouraging me to compose more and more. This is so hard, but I really enjoy it when I can just sit and do it. Today we recorded his "Tango" and my "They Stare Because You're Beautiful" with a string section. It was so incredible to hear these harmonies that I wrote played so beautifully and so strangely. I sat with my mouth open, hardly believing it. I wrote another tune yesterday which I think I will call "Djeligoema."
Most days I struggle to be present here at all. I want the next thing - a job, a schedule, a trajectory; I want to know what it is and that everything's going to work out and there's a shape and an arc and a meaning to it all. And if not a destination I would at least like to have somewhere to point on the horizon or an interim landmark of some kind, not as proof really but just as a small kindness that will get me through today and tomorrow and the day after that.
This is the longest I've stayed anywhere. It's been good for precisely two reasons. First, I have built up a community of friends and musicians and contacts and feel relatively well taken care of. Second, I have had a chance to see what loneliness does without the escape of indulged restlessness. Before, when I started to feel too empty in a place, I would move on. I planned it this way, but in a certain sense, I've got nowhere else to go; I've run to the edge of the map. Now all that's left to do is turn around and go back.
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